Ber­lin premiere for pic on jazz piano legend Bill Evans

Ber­lin premiere for pic on jazz piano legend Bill Evans

(From left) Danielsen Lie, Brit­ish film dir­ector Grant Gee and US actor Bill Pull­man pose dur­ing a photo call for the film ‘Every­body Digs Bill’ presen­ted in com­pet­i­tion at the 76th Ber­linale, Europe’s first major film fest­ival of the year, in Ber­lin.

BERLIN, Ger­many: A film about legendary jazz pian­ist Bill Evans that focuses on one of the most trau­matic peri­ods of his often tor­tur­ous life got its premiere Fri­day at the Ber­lin Film Fest­ival.

The film, which is shot in black-and-white, bor­rows its title from one of Evans’s early albums: ‘Every­body digs Bill Evans.’

Dir­ec­ted by Bri­tain’s Grant Gee, it stars Nor­we­gian actor Anders Danielsen Lie as Evans who died in 1980 at the age of 51.

The film focuses on the period fol­low­ing the death in 1961 of bassist Scott LaFaro in a car acci­dent just days after the Evans trio had fin­ished record­ing their res­id­ency at the Vil­lage Van­guard – now con­sidered clas­sic records.

Evans, grief-stricken, stopped play­ing for sev­eral months, mourn­ing the loss of his friend and relapsing into heroine use. A visit to his par­ents in Flor­ida – played by Hol­ly­wood vet­er­ans Bill Pull­man and Laurie Met­calf – is the cata­lyst to him get­ting his life back on track again.

But as Danielsen Lie observed, this was just one of a series of crises in the life of the musi­cian, who struggled for years with his addic­tion to hard drugs.

“One of the things that’s been said about Bill Evans is that it was the longest sui­cide in his­tory,” said Danielsen Lie.

“And that is partly true, because there is an immense amount of self-destruct­ive beha­viour in this bio­graphy,” he added.

“But at the same time, he was also very alive… He really enjoyed his art and what he was doing, which is kind of con­tra­dict­ory. It con­tra­dicts the total mess and chaos that his life was at many stages along the way.”

‘Every­body digs Bill Evans’ is based on Welsh writer Owen Mar­tell’s novel, ‘Inter­mis­sion,’ adap­ted for the screen by Ire­land’s Mark O’Hal­loran.

It was O’Hal­loran who chose to put Evans’s part­ner Ellaine Schultz – who shared his addic­tion – back into the story. Although she does not fea­ture in the novel, he told AFP that for him she was one of the emo­tional keys to ‘the jour­ney that Bill goes on with her and the oth­ers around her.’

Valene Kane, who plays Schultz, agreed. “I think you always need the love story,” she told journ­al­ists with a smile.

“It’s one of the most import­ant life forces we have, for me. I love love, we all love love.”

https://www.pressreader.com/malaysia/the-borneo-post/20260215/282454240446081

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